Bibliography

Bibliography regarding Moscheles

  • Beck, John Michael. ‘Ignaz Moscheles Re-Examined: The Realization of a Full Conductor’s Score for Piano Concerto No.1 in F Major, Opus 45’. DMA Thesis, University of Northern Colorado, 1986.
  • Beghin, Tom. ‘Three Builders, Two Pianos, One Pianist. The Told and Untold Story of Ignaz Moscheles’s Concert on 15 December 1823’. 19th-Century Music, Nineteenth-Century Pianism, 24, no. 2 (Autumn 2000): 115–48.
  • Bollenbach, Thibault. ‘Le sixième concerto pour piano, “Fantastique”, de Moscheles’. PhD Thesis, Université de Paris-Sorbonne, 2011.
  • Cannon Levin, Alicia. ‘Seducing Paris: Piano Virtuosos and Artistic Identity, 1820-1848’. PhD Thesis, University of North Carolina, 2009.
  • Carnelley, John. ‘Sir George  Smart and the Evolution of British Musical Culture, 1800-1840’. PhD Thesis, Goldsmiths College, University of London, 2008.
  • Chambers, Robert. ‘Ignaz Moscheles’, 1970. [incomplete]
  • Gresham, Carolyn Denton. ‘Ignaz Moscheles: An Illustrious Musician in the Nineteenth Century’. PhD Thesis, University of Rochester, 1980.
  • Gooley, Danage. Fantasies of Improvisation. Free Playing in Nineteenth-Century Music. New York: Oxford University Press, 2018.
  • Heussner, Ingeborg. ‘Ignaz Moscheles in seinen Klavier-Sonaten, -Kammermusikwerken und –Konzerten’. PhD Thesis, Phillips Universität Marburg, 1963.
  • Honda, Eriko. ‘Les Études caractéristiques, Opus 95, d’Ignaz Moschelès’. PhD Thesis, Université de Paris-Sorbonne, 2005.
  • Kroll, Mark. ‘«A Man Outside His Dwelling, a Jew Inside?»: Ignaz Moscheles and the German-Jewish Musician in Nineteenth-Century Europe’. Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music 14, no. 28 (October 2016).
  • Kroll, Mark. Ignaz Moscheles and the Changing World of Musical Europe. Woodbridge, Suffolk: Boydell Press, 2014.
  • Liepmannssohn, Leo. Autographen-Sammlungen. Ignaz Moscheles und Reserve Alfred Bovet; bestehend zum größten Teil aus wertvollen Musikmanuskripten und Musikerbriefe; Versteigerung am 17. u. 18. November 1911. Vol. 39. Berlin: Liepmannssohn, 1911.
  • Lindeman, Stephan D. ‘Mendelssohn and Moscheles: Two Composers, Two Pianos, Two Scores, One Concerto’. The Musical Quarterly, 33, no. 1 (Spring 1999): 51–74.Marsh, Jerrode Kathleen. ‘Style and Structure in the Chamber Music of Ignaz Moscheles’. DMA Thesis, University of Texas at Austin, 2000.
  • Miller-Kay, Elissa. ‘The Virtuosity of Interpretation: The Performance History of Beethoven’s Piano Sonatas in London, 1800–1880’. PhD Thesis, New York University, 2016.
  • Moscheles, Charlotte, ed. Recent Music and Musicians, as Described in the Diaries and Correspondence of Ignaz Moscheles. Translated by Arthur Duke Coleridge. New York: Henry Holt and Company, 1879.
  • Moscheles, Charlotte, ed. Aus Moscheles’ Leben. Nach Briefen und Tagebüchern. 2 vols. Leipzig: Verlag von Duncker & Humblot, 1872.
  • Moscheles, Felix, ed. Briefe von Felix Mendelssohn-Bartholdy an Ignaz und Charlotte Moscheles. Leipzig: Duncker & Humblot, 1888.
  • Moscheles, Felix. Fragments of an Autobiography. New York; London: Harper & Brothers, 1899.
  • Moscheles Felix, ed. Letters of Felix Mendelssohn to Ignaz and Charlotte Moscheles. Translated by Felix Moscheles. Boston: Ticknor and Company, 1888.
  • Moscheles, Ignaz. Thematisches Verzeichniss Im Druck Erschienener Compositionen von Ignaz Moscheles. Leipzig: Kistner [1861]; Reprint: London: H. Baron, 1966.
  • Nam, Hyo Kyoung Beth. ‘Ignaz Moscheles and the Piano Etude from Clementi to Chopin’. DMA Thesis, Juilliard School, 2013.
  • Nourou, Sevastiana. ‘Composer Intention and Performance Interpretation: A Contextualisation of Ignaz Moscheles’ Grand Characteristic Studies, Op. 95 and a Performance Edition of the Seventh Study’. MA dissertation, Goldsmiths University of London, 2015.
  • Nourou, Sevastiana. ‘Ignaz Moscheles: The Free Fantasia as the Connecting Link to his Three Styles of Virtuosity and Composed Fantasias’, Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, Volume 18, Issue 35 (April/October 2020), pp. 87-123
  • Rackwitz, Werner. ‘Ignaz Moscheles: Sein Verhältnis zur Musik Georg Frederich Händels’. Göttinger Händel-Beiträge 13 (2010): 219–43.
  • Rost, Henrike. ‘Gebrauch in Geselligkeit: Musik-Stammbücher des 19. Jahrhunderts – Die Alben der Familie Moscheles im Kontext einer Europäischen Erinnerungspraxis’. PhD Thesis, Hochschule für Musik und Tanz Köln, 2019.
  • Rost, Henrike. Musik-Stammbücher. Erinnerung, Unterhaltung und Kommunikation im Europa des 19. Jahrhunderts (= Musik – Kultur – Gender 17). Wien/Köln/Weimar: Böhlau, 2020.
  • Rost, Henrike. ‘‚His Was a Privileged Position, She Held …‘ – Zur Paarbeziehung von Ignaz Und Charlotte Moscheles’. In Paare in Kunst Und Wissenschaft, edited by Melanie Unseld and Christine Fornoff-Petrowski, 18:55–67. Wien; Köln; Weimar: Böhlau Verlag, 2021.
  • Silver, Phillip Alan. ‘Ignaz Moscheles: A Reappraisal of his Life and Musical Influence’. DMA Thesis, University of Washington, 1992.
  • Smidak, Emil F. Isaak-Ignaz Moscheles: The Life of the Composer and His Encounters with Beethoven, Liszt, Chopin and Mendelssohn. Aldershot: Scholar Press, 1989.
  • Schindler, Anton. The Life of Beethoven. Edited by Ignaz Moscheles. Boston: Oliver Ditson Company, 1840.
  • Schmidt-Beste, Thomas. ‘Felix Mendelssohn Bartholdy und Ignaz Moscheles’. In Felix und seine Freunde: Vortragsreihe Frühjahr 2006, edited by Veronika Leggewie, 69–91. Lahnstein: Rudolf Kring, 2006.
  • Sobanski, Christoph. ‘Untersuchungen zur “Méthode des méthodes de Piano” von François Joseph Fétis und Ignaz Moscheles’. PhD Thesis, Hochschule für Musik Franz Liszt, 2002.