Ignaz Moscheles’ Morning Concert
London: Concert Room, King’s Theatre—Time: Morning
Tickets: 10s. 6d.; Boxes available
✗Programme
| *Terzetto, ‘Cruda Sorte’ | Miss Cramer | Rossini |
| *From Die Zauberflöte: Aria, ‘Qui sdegno’ | Mr. Phillips | Mozart |
| Part I | ||
| Overture, Pastoral to Ballet Les Portraits | Arranged by Moscheles | |
| Song, ‘Angel of Life’ | Mr. Phillips; Bassoon Obbligato: Mr. Mackintosh | Callcott |
| Piano Concerto No.5 in C major I. Allegro moderato (MS) | Mr. Moscheles | Moscheles |
| Piano Fantasia, The Recollections of Ireland with Orchestral Accompaniments | Mr. Moscheles (by particular desire) | Moscheles |
| From La schiava in Bagdad Cavatina Buffa, ‘Che vuol papuccie’ | Signor Lablache | Pacini |
| Piano Fantasia, Souvenirs de Denmark with Orchestral Accompaniments | Mr. Moscheles (composed expressly for the occasion) | Moscheles |
| Part II | ||
| From Il Turco in Italia Duetto Buffo, ‘D’un bell’uso in Turchio’ | Signors de Begnis, Lablache | Rossini |
| Swiss Air | Mme Stockhausen; Harp: Mr. Stockhausen | Stockhausen |
| Sonata for Two Pianos in [D major] | Messrs. Hummel, Moscheles | Mozart |
| Harp Fantasia | Miss. E. Bisset | Dizi |
| Duet, ‘Io di tutto’ | Mme Stockhausen, Signor de Begnis | Mosca |
| Free Piano Fantasia, incl. a German air, ‘Noble Race was Shenkin’, ‘Rise Gentle moon’, ‘God save the King’ | Mr. Moscheles |
| Principal Vocalists: Miss Cramer, Mme Stockhausen; Mr. Phillips, Signors de Begnis, Lablache |
| Principal Instrumentalists: Miss E. Bisset; Messrs. Mackintosh, Moscheles, Stockhausen |
| Leader: Mr. Franz Cramer; Conductor: Sir George Smart |
———————————
Programme Notes: The pianos brands were a Clementi for the first part and two Érards for Moscheles’ and Hummel’s duet in the second part.—Madame Malibran-Garcia was indisposed.
Encore: Swiss Air—Mme Stockhausen; Harp: Mr. Stockhausen—Stockhausen
———————————
Charlotte: ‘On the eve of his own concert already advertised, and with a view of bringing out some novelty, he put together within a few days his Recollections of Denmark, the echo of his travels in that country; and these national melodies lost none of their effect by the composer’s treatment’.
RMM, 162-163.
Advertisements
The Morning Post (May 13, 1830): 1.
MR. MOSCHELES respectfully informs the Nobility, Gentry, and his Friends in general, that his MORNING CONCERT will take place at the King’s Concert Room, King’s Theatre, on TUESDAY, June 1, 1830. In the course of the Concert, Mr. Moscheles will perform a New MS. Concerto. HIS RECOLLECTIONS OF DENMARK (composed for the occasion), a Concertante Duet for two pianofortes, with Mr. HUMMEL, who has kindly promised his assistance, and as extemporaneous Performance on the Pianoforte. Full particulars will be duly announced.
The Courier (May 14, 1830): 1.
MR. MOSCHELES respectfully informs the Nobility, Gentry, and his Friends in general, that his MORNING CONCERT will take place at the King’s Concert Room, King’s Theatre, on Tuesday, June 1.—In the course of the Concert, Mr. Moscheles will perform a new MS. Concerto, his “Recollections of Deamark [sic],” (composed for the occasion), a Concertante Duet for Two Pianofortes, with Mr. Hummel, who has kindly promised his assistance, and as Extemporaneous Performance on the Pianoforte. Full particulars will be duly announced.
John Bull (May 16, 1830): 153.
MR. MOSCHELES respectfully informs the Nobility, Gentry, and his Friends in general, that his MORNING CONCERT will take place at the KING’S CONCERT ROOM, King’s Theatre, on TUESDAY, June 1, 1830. In the course of the Concert, Mr. Moscheles will perform a new MS. Concerto, his “Recollections of Denmark,” (composed for the occasion), a Concertante Duet for Two Pianofortes, with Mr. Hummel, who has kindly promised his assistance, and as Extemporaneous Performance on the Pianoforte.—Full particulars will be duly announced.
John Bull (May 16, 1830): 329.
MR. MOSCHELES respectfully informs the Nobility, Gentry, and his Friends in general, that his MORNING CONCERT will take place at the King’s Concert Room, King’s Theatre, on Tuesday, June 1, 1830. In the course of the Concert, Mr. Moscheles will perform a new MS. Concerto, his Recollections of Denmark (composed for the occasion), a Concertante Duet for two Pianofortes, with Mr. Hummel (who has kindly promised his assistance), and as Extemporaneous Performance on the Pianoforte.—Full particulars will be duly announced.
The Morning Post (May 17, 1830): 2.
MR. MOSCHELES respectfully informs the Nobility, Gentry, and his Friends in general, that his MORNING CONCERT will take place at the King’s Concert Room, King’s Theatre, on TUESDAY, June 1, 1830. In the course of the Concert, Mr. Moscheles will perform a new MS. Concerto, HIS RECOLLECTIONS OF DENMARK (composed for the occasion), a Concertante Duet for two Pianofortes, with Mr. HUMMEL, who has kindly promised his assistance, and as extemporaneous Performance on the Pianoforte. Full particulars will be duly announced.
The Morning Post (May 18, 1830): 1.
MR. MOSCHELES respectfully informs the Nobility, Gentry, and his Friends in general, that his MORNING CONCERT will take place at the King’s Concert Room, King’s Theatre, on TUESDAY, June 1, 1830. The following eminent Vocal Performers have kindly promised their assistance:—Madame Malibran, Madame Stockhausen, Miss Cramer, Mr. Phillips, and Signor De Begnis. In the course of the Concert, Mr. Moscheles will perform a new MS. Concerto, HIS RECOLLECTIONS OF DENMARK (composed for the occasion), a Concertante Duet for two Pianofortes, with Mr. HUMMEL, who has kindly promised his assistance, and as extemporaneous Performance on the Pianoforte. Full particulars will be duly announced.
The Morning Post (May 20, 1830): 1.
MR. MOSCHELES respectfully informs the Nobility, Gentry, and his Friends in general, that his MORNING CONCERT will take place at the King’s Concert Room, King’s Theatre, on Tuesday, June 1. The following eminent Vocal Performers have kindly promised their assistance:—Madame Malibran, Madame Stockhausen, Miss Cramer, Mr. Phillips, and Signor De Begnis. In the course of the Concert, Mr. Moscheles will perform a new MS. Concerto, his “Recollections of Denmark,” (composed for the occasion); a Concertante Duet for two Pianofortes, with Mr. Hummel, who has kindly promised his assistance; and as Extemporaneous Performance on the Pianoforte.—Full particulars will be duly announced.
The Morning Chronicle (May 20, 1830): 1.
MR. MOSCHELES respectfully informs the Nobility, Gentry, and his Friends in general, that his MORNING CONCERT will take place at the King’s Concert Room, King’s Theatre, on Tuesday, June 1. The following eminent Vocal Performers have kindly promised their assistance—Madame Malibran, Madame Stockhausen, Miss Cramer, Mr. Phillips, and Signor De Begnis. In the course of the Concert, Mr. Moscheles will perform a new MS. Concerto, his Recollections of Denmark, (composed for the occasion), a Concertante Duet for two Pianofortes, with Mr. Hummel, who has kindly promised his assistance, and as extemporaneous performance on the Pianoforte. Full particulars will be duly announced.
The Court Journal: Gazette of the Fashionable World, vol. 2, (May 22, 1830): 336.
MR. MOSCHELES Respectfully informs the Nobility, Gentry, and his Friends in general, that his MORNING CONCERT will take place at the KING’S CONCERT-ROOM, KING’S THEATRE, on TUESDAY, June 1, 1830. The following eminent Vocal Performers have kindly promised their assistance: Mad. Malibran, Mad. Stockhausen, Miss Cramer; Mr. Phillips, and Signor De Begnis. In the course of the Concert Mr. Moscheles will perform a New MS. Concerto, his Recollections of Denmark, (composed for the occasion) a Concertante Duet for two Piano-fortes, with Mr. Hummel, who has kindly promised his assistance, and as extemporaneous performance on the Piano-forte.—Full particulars will be duly announced.
The Morning Post (May 25, 1830): 1.
MR. MOSCHELES respectfully informs the Nobility, Gentry, and his Friends in general, that his MORNING CONCERT will take place at the King’s Concert Room, King’s Theatre, on TUESDAY, June 1, 1830. The following eminent Vocal Performers have kindly promised their assistance:—Madame Malibran Garcia, Madame Stockhausen, Miss Cramer, Mr. Phillips, and Signor De Begnis. Solo, Harp, Miss E. Bisset. In the course of the Concert, Mr. Moscheles will perform a new MS. Concerto, HIS RECOLLECTIONS OF DENMARK (composed for the occasion); a Concertante Duet for two pianofortes, with Mr. HUMMEL, who has kindly promised his assistance; and as extemporaneous Performance on the Pianoforte.—Full particulars will be duly announced in the bills.—An early application for Boxes is requested to be made to Mr. Moscheles, No. 77, Norton-street, Portland-place.
The Courier (May 26, 1830): 1.
MR. MOSCHELES respectfully informs the Nobility, Gentry, and his Friends in general, that his MORNING CONCERT will take place at the King’s Concert Room, King’s Theatre, on Tuesday next, June 1. The following eminent Vocal Performers have kindly promised their assistance:—Madame Malibran Garcia, Madame Stockhausen, Miss Cramer, Mr. Phillips, and Signor De Begnis. Solo, Harp, Miss E. Bisset. In the course of the Concert, Mr. Moscheles will perform a new MS. Concerto, his “Recollections of Denmark,” (composed for the occasion); a Concertante Duet for Two Pianofortes, with Mr. Hummel, who has kindly promised his assistance; and as Extemporaneous Performance on the Pianoforte. Full particulars will be duly announced in the bills.
An early application for Boxes is requested to be made to Mr. Moscheles, 77, Norton-street, Portland-place.
The Morning Post (May 28, 1830): 1.
MR. MOSCHELES respectfully informs the Nobility, Gentry, and his Friends in general, that his MORNING CONCERT will take place at the King’s Concert Room, King’s Theatre, on TUESDAY next, June 1, 1830. [the rest is the same as advertised in The Morning Post on May 25]
The Court Journal: Gazette of the Fashionable World, vol. 2, (May 29, 1830): 352.
SCEME of MR. MOSCHELES’ MORNING CONCERT, on TUESDAY NEXT, JUNE 1, at the King’s Concert Room, King’s Theatre.
PART I.
Pastoral Overture to the Ballet Les Portraits—Moscheles; Song, Mr. PHILLIPS, “Angel of Life.” Bassoon Obligato, Mr. MACKINTOSH—Callcott. First Movement of a new (MS.) CONCERTO, to be followed (by particular desire) by the Recollections of Ireland, Piano-forte, Mr. MOSCHELES— Moscheles. Duet, Madame MALIBRAN GARCIA and Miss CRAMER, “Sull’aria,” (Figaro)—Mozart. Cavatina Buffa, Signor LABLACHE, “Che vuol papuccie,”—Pacini,
THE RECOLLECTIONS OF DENMARK.
A Grand Fantasia, with Orchestral Accompaniments, composed expressly for the occasion; Piano-forte, Mr. MOSCHELES—Moscheles.
PART II.
Duetto Buffo, Signor DE BEGNIS and Signor LABLACHE, “D’un bell’uso” (Il Turco in Italia)—Rossini. Swiss Air, Madame STOCKHAUSEN, accompanied on the Harp by Mr. STOCKHAUSEN—Stockhausen. A Grand Concertante Duet for two Piano-fortes, Messrs. HUMMEL and MOSCHELES—Mozart. A new Tyrolean Air, with Variations, Madame MALIBRAN GARCIA, expressly composed for her by—Hummel. Fantasia, Harp, Miss E. BISSET—Dizi. Duetto, Madame STOCKHAUSEN and Signor DE BEGNIS, “Io di tutto”—Mosca; Extemporaneous Performance on the Piano-forte, Mr. MOSCHELES; on which occasion he requests any of the company to give him a written Theme to perform on.
Leader, Mr. F. CRAMER; Conductor, Sir GEORGE SMART.
Tickets, 10s. 6d. each, to be had of Mr. MOSCHELES, No. 77, Norton-street, Portland-place; at the Box-Office, King’s Theatre; and at the at the principal Music Shops.
***An early application for Boxes is requested to be made to Mr. Moscheles.
The Morning Post (May 29, 1830): 1.
SCEME of Mr. MOSCHELES MORNING CONCERT, on TUESDAY NEXT, June 1, at the King’s Concert Room, King’s Theatre:—
PART I.—Pastoral Overture to the Ballet Les Portraits, Moscheles; Song, Mr. Phillips, “Angel of Life,” Bassoon Obligato, Mr. Mackintosh, Callcott; First Movement of a new (MS.) Concerto, to be followed (by particular desire) by the Recollections of Ireland, Pianoforte, Mr. Moscheles (Moscheles); Duet, Madame Malibran Garcia and Miss Cramer, “Sull’aria,” (Figaro) Mozart; Cavatina Buffa, Signor Lablache, “Che vuol papuccie,” Pacini; the Recollections of Denmark, a Grand Fantasia, with Orchestral Accompaniments, composed expressly for the occasion, Pianoforte, Mr. Moscheles (Moscheles.)
PART II.—Duetto Buffo, Signor De Begnis and Signor Lablache, “D’un bell’uso,” (Il Turco in Italia), Rossini; Swiss Air, Madame Stockhausen (Stockhausen); a Grand Concertante Duet for two Pianofortes, Messrs. Hummel and Moscheles, Mozart; a new Tyrolean Air, with Variations, Madame Malibran Garcia, expressly composed for her by Hummel; Fantasia, Harp, Miss E. Bisset, Dizi; Duetto, Madame Stockhausen and Signor De Begnis, “Io di tutto,” Mosca; Extemporaneous Performance on the Pianoforte, Mr. Moscheles, on which occasion he requests any of the company to give him a written theme to perform. Leader, Mr. F. Cramer; Conductor, Sir George Smart.—Tickets, 10s. 6d. each, to be had of Mr. Moscheles, No. 77, Norton-street, Portland-place; at the Box Office, King’s Theatre; and at the at the principal Music Shops.—An early application for Boxes is requested to be made to Mr. Moscheles.
The Spectator (May 29, 1830): 353.
MR. MOSCHELES has the honour to announce that his MORNING CONCERT will take place on TUESDAY NEXT, the 1st of June, at the King’s Concert Room, King’s Theatre, when he will be assisted by the following eminent talents:—Madame Malibran Garcia, Signor Lablache, Madame Stockhausen, Miss Cramer, Mr. Phillips, Miss. E. Bisset, and Signor de Begnis. Mr. Hummel has kindly consented to perform a Concertante Duet with Mr. Moscheles. Full particulars are announced in the Bills.
The Atlas (May 30, 1830): 352.
SCEME of Mr. MOSCHELES MORNING CONCERT, on Tuesday next, June 1, at the King’s Concert Room, King’s Theatre.
PART I.—Pastoral Overture to the Ballet “Les Portraits,” Moscheles; Song, Mr. Phillips, “Angel of Life,” Bassoon Obligato, Mr. Mackintosh, Callcott; First Movement of a new MS. Concerto, to be followed (by particular desire) by the “Recollections of Ireland,” Pianoforte, Mr. Moscheles, Moscheles; Duet, Madame Malibran Garcia and Miss Cramer, “Sull’aria,” (Figaro) Mozart; Cavatina Buffa, Signor Lablache, “Che vuol papuccie,” Pacini; “The Recollections of Denmark,” a Grand Fantasia, with Orchestral Accompaniments, composed expressly for the occasion,nPianoforte, Mr. Moscheles Moscheles.
PART II.—Duetto Buffo, Signor De Begnis and Signor Lablache, “D’un bell’uso,” (Il Turco in Italia) Rossini; Swiss Air, Madame Stockhausen, accompanied on the Harp by Mr. Stockhausen, Stockhausen; a Grand Concertante Duet for two Pianofortes, Messrs. Hummel and Moscheles, Mozart; a new Tyrolean Air, with Variations, Madame Malibran Garcia, expressly composed for her by Hummel; Fantasia, Harp, Miss E. Bisset, Dizi; Duetto, Madame Stockhausen and Signor De Begnis, “Io di tutto,” Mosca; Extemporaneous Performance on the Pianoforte, Mr. Moscheles; on which occasion he requests any of the to give him a written Theme to perform.
Leader, Mr. F. Cramer; Conductor, Sir George Smart.
Tickets, 10s. 6d. each, to be had of Mr. Moscheles, No. 77, Norton-street, Portland-place; at the box office, King’s Theatre; and at the at the principal music shops.
An early application for boxes is requested to be made to Mr. Moscheles.
The Morning Post (May 31, 1830): 1.
SCEME of Mr. MOSCHELES MORNING CONCERT, TO-MORROW, June 1, at the King’s Concert Room, King’s Theatre [the rest is the same as advertised in The Morning Post on May 29].
Reviews
The Morning Post (June 2, 1830): 3.
MR. MOSCHELES’ CONCERT.
We well remember when this eminent Pianist came to this country, about nine year ago, what a sensation his performance created, particularly his execution of The Fall of Paris, with variations. Since then he has composed a number of valuable works, and has performed repeatedly with undiminished success. His Concert yesterday morning was quite an overflow. He played a movement of a new concerto, and his Recollections of Ireland, with his accustomed taste and spirit: the manner in which he has blended three Hibernian melodies, rendering each in turn an accompaniment to the others, is exceedingly ingenious. His second performance was a fantasia called The Recollections of Denmark, in which he introduced some national airs with excellent effect. MOZART’S Concertante Duet, by HUMMEL and MOSCHELES, was splendidly executed. When the time had arrived for extemporising on a given theme, Sir GEORGE SMART announced that Mr. MOSCHELES had received eight, and that he would select three indiscriminately out of the number. These happened to be the fine Welch air, Of a noble race was Shenkin, Rise gentle Moon, and another which was not known to us. In the first melody Mr. M. had a good opportunity to display his ingenuity and talent; he introduced portions of it in a variety of shapes in the most masterly manner, and at the conclusion he played God save the King. A simultaneous burst of applause followed the first bars, and the whole assembly stood up, in token of affection for their beloved and afflicted Monarch. The vocalists were Madame STOCKHAUSEN, who was encored in a beautiful Swiss melody; Miss CRAMER, who gave Cruda Sorte very sweetly; DE BEGNIS, PHILLIPS, and LABLACHE. MOSCHELFS [sic] performed in the first part on a grand pianoforte of CLEMENTI’S, and the duet in the second part with HUMMEL, on two of ERARD’S patent instruments. An apology was made for MALIBRAN, who, we regret to hear, is unwell, but soon expected to resume her professional duties.
The Morning Post (June 3, 1830): 3.
In our notice of MOSCHELES’ Concert yesterday we omitted to mention a Fantasia on the Harp, introducing to the public as a solo player Miss E. BISSET, who, in the performance of a classical piece of music, blended fine feeling with the most finished execution. Much praise is due to Mr. MOSCHELES for his discernment and liberality in thus bringing forward genuine English talent.
The Morning Chronicle (June 4, 1830): 3.
MOSCHELES’S CONCERT.—One of the fullest and most splendidly attended Morning Concerts of the season took place for the benefit of Moscheles on Tuesday last, at the King’s Concert Room. An extraordinary treat was given by Moscheles and Hummel playing a duet on two grand pianofortes. La Blache and De Begnis were very amusing in an Italian duet. A young lady (Miss E. Bisset) performed a fantasia on the harp, and displayed great taste and execution, which drew forth loud applause. Moscheles had advertised to compose an extempore piece of music, on any theme that might be given to him by the company. When Sir G. Smart adverted to this circumstance, a number of papers (amounting to eighteen) were handed to him. He stated that Mr. Moscheles would take three of them indiscriminately, which he did, and, placing them before him, he displayed a very extraordinary tact in producing variations on these themes—the first of which was a German air, the next “Of a noble race was Shinkin,” and the third “God, save the King.” Malibran, who was to have sung, was announced to be indisposed at Bath.
The Morning Post (June 5, 1830): 3.
To the EDITOR of the MORNING POST
SIR— ln your report of Mr. MOSCHELLES’S Concert you were in error in mistaking an original manuscript Waltz of my composition for Rise gentle Moon (being one of the three selected pieces by Mr. M. to extemporize on). I can account however for the mistake, from the two or three first notes being the same at Rise gentle Moon, although accented very differently. By inserting the above in your valuable Paper you will confer [*] obligation on your obedient Servant, LOUIS LEO.
St. Alban’s-place, St. James’s, June 4.
The Atlas (June 6, 1830): 364.
BENEFIT CONCERTS.
MR. MOSCHELES’ concert, on Tuesday morning, was attended by a large concourse of his friends and admirers, on which occasion this artist produced the first movement of a new concerto in C, followed by the “Recollections of Ireland,” and a new fantasia, called the “Recollections of Denmark,” in which country he has recently been sojourning. In the second part of his concert, he played in a concertante duet for two pianofortes with HUMMEL., and the whole concluded with an extemporaneous performance, for which Mr. MOSCHELES, having requested to be favoured with a written theme, was accommodated with many more than he could use. There was no instance of his performance in which Mr. MOSCHELES did not advance the reputation he has acquired as a scientific musician and brilliant performer. With the character of his new concerto we were much pleased—it is ingenious, melodious, and scored in a masterly manner. We much doubt the wisdom of requesting an audience to hand in subjects for improvisation, because professors are (we know not why) diffident of coming forward at these invitations, and young ladies, upon whom this duty mostly devolves, are no judges of the sort of theme which presents good opportunities for treatment—knowledge which indeed presupposes a very advanced stage of musicianship and a very cultivated taste. The first theme selected by Mr. MOSCHELES the Welsh air, “Of noble Race,” was well enough suited to his purpose, and he accordingly used it to advantage; the choice of the other themes only showed the little judgment of those who presented them, and they produced little effect. We were happy to hear that Mr. H. PHILLIPS, in singing “Qui sdegno,” descended to the low F sharp at the place where the ear demands it. The improvement is manifest, and we are of opinion that he now performs full justice to a composition which has been the vocal gem of the London concert season. The provincial festivals must secure this song in their neat concerts.
The Harmonicon, vol. 8 (June 1830): 306.
MR. MOSCHELES’S,
Concert Room, King’s Theatre, Tuesday Morning, June 1st.
This concert was so excessively crowded that a considerable time elapsed before we could gain admittance to any part of the room: we therefore lost much, but heard a clever new fantasia, Recollections of Denmark, of M. Moscheles’; and also his extemporaneous performance, which was a most masterly effort. The concertante duet of Mozart, for two piano-fortes, played in the most perfect manner possible by MM. Hummel and Moscheles, produced a strong sensation, though we cannot persuade ourselves to class this among the author’s happiest inspirations.
Allgemeine Theaterzeitung und Originalblatt für Kunst, Literatur und des geselligen Leben (July 15, 1830): 344.
Ueber Moscheles jüngstes Konzert zu London liest man in der »Morning Post« Folgendes: Es ist uns noch in frischen Andenken, welche Sensation die Leistungen dieses so ausgezeich neten Pianisten, besonders seine Ausführung des Falls von Paris mit Variationen machte, als er ungefähr vor neun Jahren zu uns kam. Seitdem hat er noch eine Menge werthvoller Werke komponirt und sich zum öftern mit ungetheiltem Beyfall hören lassen. Seine gestrige Soirée (d. z. v. M.) war überreich. Er spielte mit gewohntem Geschmack und Geist ein neues Konzert und seine Erinnerungen aus Irland. Höchst sinnreich hatte er drey hibernische Melodien mit einander verschmolzen, so daß wechselsweise die eine die Begleitung der anderen bildete. Der Gegenstand seines zweyten Vortrags war eine neue Fantasie, Erinnerungen aus Dänemark betitelt, in welche er mehrere National-Lieder verwoben hatte, welches einen vortrefflichen Effekt machte. Höchst glänzend ward auch Mozarts konzertirendes Duett von den Herren Hummel und Moscheles ausgeführt. Aus den acht Themas, welche Hrn. Moscheles, um über die selben zu extemporisiren, vorgelegt wurden, wahlte er drey, und unter diesen nahmentlich die schöne walliser Arie: »Of a noble race was Slenkin etc. « so wie: »Rise gentle noon etc.« In dem ersten Thema batte Hr. Moscheles wieder sehr Gelegenheit, sein bewundernswürdiges Talent zu bekunden, und dieses that er denn auch in den höchst vielfältigen Formen, unter welchen er die Ur-Melodie darin erklingen ließ. Zum Beschluß des Konzerts spielte Hr. Moscheles das God save the King, nach dessen ersten Strophen ein donnernder Applaus erscholl, und das ganze anwesende Publikum sich zum Zeichen seiner Liebe und Ehrfurcht für den damahls leider so schwer leidenden Monarchen erhob.
Ignaz Moscheles' Concert Life 