21 May 1825

A Grand Performance of Antient and Modern Music

London: Theatre Royal, Drury Lane

Time: Evening

 

Programme

Part I 
Grand Coronation Anthem Handel
From The Messiah
     Recit., ‘Comfort ye’
     Recit., ‘Behold a virgin shall conceive’
     Air and Chorus, ‘O thou that tellest 
     good tiding to Zion’
     Air, ‘Why do the nations’

Mr. Braham
Miss Love
 
 
Mr. Bellamy 
  Handel
From Giulietta e Romeo
Recit., ‘Tranquillo io sen fra poco’
     Aria, ‘Ombra adorate aspetta’
 Mme PastaZingarelli 
From Judas Maccabæus
Song, ‘Arm, arm ye brave’
Mr. BedfordHandel
Aria, ‘Gratias agimus tibi’Miss Stephens; 
Horn Accompaniment: Mr. Platt
 Guglielmi
From The Creation: Aria, ‘In native worth’ Mr. HornHaydn
From Tancredi: ‘Ah si! pace, contento’Mme Pasta, Mr. Braham Rossini
From Judas Maccabæus: MarchHandel
From Theodora: Air, ‘Angels, ever bright and fair’Miss GraddonHandel
From Kampf und Sieg: ‘Oh God, we praise thy name’Miss Graddon, Messrs. Bellamy, Horn, Robinsons, Chorus Weber
From Tancredi
     Recit. ‘Tu che accendi questo core’
     Aria, ‘Di tanti palpiti’
Mme PastaRossini 
From Israel in Egypt
     Grand Scene
     Chorus, ‘The Lord shall reign’
     Recit., ‘For the host of Pharoah’
     Air, ‘Sing ye to the Lord’
     Chorus, ‘The horse and his rider’

Chorus
Chorus
Mr. Braham
Miss Stephens
Double Chorus
Handel
Trumpet ConcertoMr. Norton 
Part II
Overture, Der Freischütz Weber
From Le nozze di Figaro
     Duet, ‘Sull’aria…che soave zeffiretto’
Miss Graddon, Miss StephensMozart
Grand Scene, ‘The battle of the Angels’  
     (words from Milton’s Paradise Lost)
Mr. BrahamBishop
Ballad[?] (first appearance in public)Kathleen
Motet No.1, ‘O God when thou appearest’Mrs. Bedford, Master Edmonds,
Messrs. Horn, Tinney, Chorus
Mozart
From The Creation: Air, ‘With verdure clad’Mme Caradori-AllanHaydn
Song, ‘When, in disgrace with fortune and men’s eyes’Miss CookeBishop
From Zuma: Echo Duet, ‘Ah! whither, whither is he staying?’Miss Stephens, Mr. BrahamBraham
From Don Giovanni: Aria, ‘Il mio tesoro’Mr. HornMozart
From Der Freischütz: Recit. and AirMiss GraddonWeber
From Ricciardo e Zoraide
     Terzetto, ‘Cruda sorte! Oh amor tiranno’
Miss Love, Mme Caradori-Allan, Mr. BrahamRossini
Ballad (Scotch)
     Recit., ‘When the sheep are in the fauld’
     Air, ‘Young Jamie lov’d me weel’
Miss StephensLeeves
From The Creation
     Recit., ‘And God said, Let there be lights’
Miss Stephens, Messrs. Bellamy, BrahamHaydn
Grand Piano Variations on a Military March with Orch. Accomp. (Alexander Variations)Mr. MoschelesMoscheles
Part III   
From Preciosa
     Overture
     Quartet and Chorus, ‘A round a round’

Miss Graddon, Master Edmonds,
Messrs. Bedford, Braham, Chorus; Accompaniment: Eight Horns
Weber
Song, ‘The harp that once through Tara’s halls’ (poetry by T. Moore)Mrs. Bedford 
From La gazza ladra
     Aria, ‘Di piacer mi balza il cor’
Mme Caradori-AllanRossini
Song, ‘The sun his bright rays may withhold’Mr. BrahamBraham
Song, ‘The soldier tir’d of war’s alarms’Miss StephensArne
Ballad, ‘If a body meet a body’Miss Graddon 
Grand Battle Sinfonia Winter
National Anthem, ‘God save the King’
     Solo and Chorus
     Quartett
 
     Chorus
     Solo and Chorus 

Miss Graddon, Chorus
Mrs. Bedford, Master Edmonds,Messrs. Bedford, Braham
 
Miss Stephens 
 
Principal Vocalists: Miss Cooke, Miss Graddon, Miss Love, Miss Stephens, Mesdames Caradori-Allan, Pasta, Mrs. Bedford; Master Edmonds, Messrs. Bellamy, Braham, Horn, Robinson, Tinney
Principal Instrumentalists: Messrs. Cramer, Fleischer, Greatorex, Harper, Leete, Mackintosh, Monzani, Marliotti, Moscheles, Nicholson, Petrides, Powell, Sharp, Schultz and two sons, Swillman, Tully Wallis, Willman
Leader: Mr. Thomas Cooke; Conductor:  Mr. Henry Rowley Bishop

———————————

Encore: Ballad—Kathleen

Advertisements

Programme

Whitsun-Eve, May 21, 1825.

Theatre Royal, Drury Lane.

———————————

A Grand and Popular

Selections of Music,

FROM THE WORKS OF

HANDEL, HAYDN, MOZART, ROSSINI,

K. M. Von WEBER, &c.

To conclude with, (first time at these Performances)

WINTER’S

Grand Battle Sinfonia,

Composed expressly for the ELECTOR OF BAVARIA, commemora-

tive of the BATTLE of WATERLLO.

[line]

Leader of the Band Mr. T. COOKE.

The whole conducted by

Mr. H. R. BISHOP,

Who will preside at the Organ and Piano-Forte.

….

——————————————

Principal Vocal Performers.

[line]

Madame PASTA

(Her first appearance at these Performances)

And Miss STEPHENS,

Miss GRADDON,

Miss COOKE,

Miss LOVE, Mrs. BEDFORD,

A YOUNG LADY,

(Her first appearance in public)

AND

Madame CARADORI.

Mr. BRAHAM,

Mr. HORN,

Mr. BEDFORD, Mr. ROBINSON,

Mr. TINNEY, Master EDMONDS,

AND

Mr BELLAMY.

——————————————

 The Choruses under the superintendence of 

Mr. WATSON.

[the rest of the programme includes the pieces performed with the lyrics]

[Foundling Museum]

Public Ledger and Advertiser (May 19, 1825): 1.

NEW THEATRE ROYAL, DRURY LANE.

THE Public is respectfully acquainted, that on SATURDAY next (Whitsun Eve), a Grand Performance of ANTIENT and MODERN MUSIC will take place at this Theatre, under the Direction of Mr. H. R. Bishop.

☞Particulars of which will be duly announced.

Principal Performers already engaged—Madame Pasta (her first appearance at these Performances), Misses Stephens, Graddon, Cooke, and Love; Mrs. Bedford, and Madame Caradori; Messrs. Braham, Horn, Bedford, Robinson, and Tinney; Master Edmonds, and Mr. Bellamy.

In the course of the Evening, a Concerto on the Piano Forte, by Mr. Mocheles (his first public Performance since his return from the Continent).

The Orchestra will be on the extensive scale usual on such occasions, and led by Mr. T. Cooke. The Choruses under the Superintendace [sic] of Mr. Watson. 

Public Ledger and Advertiser (May 20, 1825): 1.

NEW THEATRE ROYAL, DRURY LANE.

TO-MORROW, the 21st Instant.

Under the direction of Mr. H. R. Bishop, who will preside at

the Organ and Piano Forte,

A GRAND and POPULAR

SELECTION OF MUSIC.

From the Works of Handel, Haydn, Mozart, Rossini, K. M. Von Weber, &c.

Part I.—The Grand Coronation Anthem; March in Judas Maccabeus; and the Grand Scene from Israel in Egypt. At the end of the First Part, a Concerto on the Trumpet, by Mr. Norton.

Part II.—(By express desire) Overture to Der Freischutz; Mozart’s Mottetto; between the Second and Thirds Parts (by particular desire), the Emperor Alexander’s favourite March, with Variations, on the Grand Piano-Porte [sic], by Mr. Moscheles.

Part III.—A Selection from Weber’s “Preciosa;” Overture. To conclude with (first time at these performances) Winter’s Grand Battle Sinfonia, composed expressly for the Elector of Bavaria, commemorative of the Battle of Waterloo. The whole to conclude with the National Anthem, “God Save the King.” The Solos by Miss Stephens, Miss Graddon, Mr. Braham &c.

Principal Vocal Performers—Madame Pasta (her first appearance at these Performances), Misses Stephens, Graddon, Cooke, and Love, Mrs. Bedford; a Young Lady (her first appearance in public) and Madame Caradori; Messrs. Braham, Horn, Bedford, Robinson, and Tinney; Master Edmonds, and Mr Bellamy.

The Orchestra will be on the extensive scale usual on such occasions, and led by Mr. T. Cooke. The Choruses under the superintendance [sic] of Mr. Watson.

The Morning Post (May 20, 1825): 3.

WHITSUN-EVE.—NEW THEATRE ROYAL, DRURY-LANE.—TO-MORROW, Saturday, May 21, 1825, under the Direction of Mr. H. B. BISHOP, who will preside at the Organ and Piano-forte, A GRAND and POPULAR SELECTION of MUSIC, from the Works of Handel, Haydn, Mozart, Rossini, R. M. Von Weber, &c. &c. Part I. The GRAND CORONATION HANDEL (Handel.) Grand Scene from ISRAEL in EGYPT.—Part II. (by Express Desire) Overture to DER FREISCHUTZ. MOZART’S MOTTETTO. Between the Second and Third parts (by particular desire), the Emperor Alexander’s favourite March, with variations, on the Grand Pianoforte, by Mr. MOSCHELLES (his first public performance since his return from the Continent).—Part III. A Selection from Weber’s “PRECIOSA.” To conclude with (first time at these Performances) WINTER’S GRAND BATTLE SINFONIA; composed expressly for the Elector of Bavaria, commemorative of the Battle of Waterloo. The whole to conclude with the National Anthem, “God save the King!” The Solos by Miss Stephens, Miss Graddon, Mr. Braham, &c. Principal Vocal Performers—Madame Pasta (her first appearance at these Performances), and Miss Stephens; Miss Graddon, Miss Cooke, Miss Love, Mrs. Bedford, a Young Lady (her first appearance in public), Robinson, Mr. Tinney, Master Edmonds, and Mr. Bellamy.—The Orchestra will be on the extensive scale usual on such occasions, and led by Mr. T. Cooke. The Choruses under the superintendence of Mr. Watson. The Dramatic Free List does not extend to these Oratorios. 

Public Ledger and Advertiser (May 21, 1825): 1.

NEW THEATRE ROYAL, DRURY LANE.

THIS EVENING, the 21st Instant.

Under the direction of Mr. H. R. Bishop, who will preside at

the Organ and Piano Forte,

A GRAND and POPULAR

SELECTION OF MUSIC.

From the Works of Handel, Haydn, Mozart, Rossini, K. M. 

Von Weber, &c.

[the rest is the same as issued in the Public Ledger and Advertiser on May 20]

Theatrical Observer (May 21, 1825): 3.

Theatre Royal, Drury Lane.

 This Evening,

————————————

Recit. Mr Braham—Comfort ye,—&Air, Every valley

Recit. & Air, Miss Love—and Chorus. .O thou

Air, Mr Bellamy . . Why do the Nations

Scena, Mad. Pasta. . Ombra aderata aspetta

Recit. & Air, Mr Bedford. . Arm, arm, ye brave

Aria, Miss Stephens . . Gratias agimus tibi

Air, Mr Horn. . In Native worth

Duetto, Mad. Pasta, & Mr Braham

Air, Miss Graddon. . Angels ever bright and fair

Grand Chorus. . O God we praise thy name

Recitative ed Aria, Mad. Pasta. . Di tanti palpiti

Chorus. . The Lord shall reign

Recit. Mr Braham. . For the Host of Pharoah

Air, Miss Stephens. . Sing ye to the Lord

Double Chorus. . The horse and his rider

End of the First Part, A Concert on the Trumpet, by Mr Norton,

PART II. Overture to Der Freischutz

Duetto, Miss Stephens, & Miss Graddon. .Su L’Aria

Grand Scene, Mr Braham. The Battle of the Angels

Ballad, A Young Lady—Kathleen

Mozart’s Mottetto, O God when thou appearest

Air, Madame Caradori—With verdure clad

Air, Miss Cooke—When in disgrace

The Echo Duet, Miss Stephens, and Nr [sic] Braham

Air, Mr Horn, Recit. & Air, Miss Graddon,

Recit. & Air, Miss Stephens—Auld Robin Gray

Scena, Mr Braham—In splendour bright

Grand Chorus—Lhe [sic] Heavens are telling

The Emperor Alexander’s favourite March, with variations,

On the Grand Piano-Forte, by Mr Moscheles.

PART III. A SELECTION FROM WEBER’S “PRECIOSA.”

Quartett, Miss Graddon, Mess [sic] Braham, Edmonds and Bedford—A

Round, a merry laughing round.

Irish Melody, Mrs Bedford—The harp that once thro’ Tara’s halls.

Aria—Madame Caradori. Air, Mr Braham—The Sun his bright rays

Air, Miss Stephens—The Soldier tired.

Scotch Ballad, Miss Graddon—Comin’ tho’ the rey.

To which will be added, Winter’s Grand Battle Sinfonia.

to conclude with GOD SAVE THE KING

The Morning Post (May 21, 1825): 1.

[Same as issued in The Morning Post on May 20]  

Reviews

Theatrical Observer (May 23, 1825): 1.

Drury Lane Theatre.

THERE was a Selection of Music performed at this Theatre on Saturday night, being Whitsun-Eve. We understand it was well attended, and that the whole gave great satisfaction.

The Morning Post (May 23, 1825): 1.

DRURY-LANE THEATRE.

There was a most delectable Musical treat at this Theatre on Saturday evening. The selections were all made with great taste, and that the execution was admirable, will readily be believed, when it is mentioned that the performers were Mr. BRAHAM, and Mr. BELLAMY, Madame PASTA, Madame CARADORI, Miss STEPHENS, Miss GRADDON, Miss LOVE, Miss COOK, and a most promising debutante.—The latter, a modest and highly interesting young Lady, sung the beautiful Irish Ballad of Kathleen la Moor, with such sweetness, taste, and science, as to leave no doubt of her becoming a considerable acquisition to the vocal corps. She was unanimously encored, and her happy exertions were each time crowned with the warmest and most merited applause.