3 July 1827

Mrs. Rothschild’s Music Party

London: Mrs. Rothschild’s Residence, Piccadilly—Time: Evening

 

Programme

Part I
From Medea: Duet	Mme Caradori-Allan, Signor Curioni	Cherubini
Air, ‘O cara memoria’	Miss Bellchambers	Carafa
Piano and Harp Concertante	Mr. Moscheles, Mme Stockhausen
Song, ‘J’ai de l’argent’	Signor de Begnis
From La sposa fedele: Aria, ‘Lungi dal caro ben’	Mme Stockhausen	Pacini
Piano Duet, German March with Variations for Piano	Miss Foster, Mr. Moscheles
Cavatina, ‘All come rapida’	Miss Childe
Piano and Violin Concertante	Messrs. Moscheles, Mori
‘Il Carnevale’	Mesdames Caradori-Allan, Stockhausen,  Miss Bellchambers, Miss Childe, Mr. Begrez, Signor Curioni, de Begnis	Pacini
Part II
Aria	Mme Caradori-Allan
Flute Fantasia	Miss M’Cann
From Il barbiere di Siviglia: Duet, ‘All’ idea di quel metallo’	Signors Curioni, de Begnis	Rossini
Aria	Mr. Begrez
Violin Variations	Master Camillo Sivori
From La gazza ladra: Duet, ‘Come frenare il pianto’	Miss Childe, Signor de Begnis	Rossini
From Don Procopio: Duet, ‘Io di tutto mi contento’	Mme Stockhausen, Signor de Begnis	Bizet
Flute Fantasia	Miss M’Cann
From L’ inganno felice: Trio, ‘Quel sembiante’	Mme Caradori-Allan, Signors Curioni, de Begnis	Rossini

Principal Vocalists: Mesdames Caradori-Allan, Stockhausen, Miss Bellchambers, Miss Childe; Mr. Begrez, Signors Curioni, de Begnis

Principal Instrumentalists: Miss Foster, Miss M’Cann, Mr. Moscheles

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Advertisement

The Standard (July 2, 1827): 4.

WEDNESDAY.—…Mrs. Rothschild’s grand entertainment, Piccadilly

Reviews

The Globe and Traveller (July 6, 1827): 3.

On Tuesday Mrs. Rothschild had a numerous and elegant assemblage at her house in Piccadilly. A grand musical treat was provided on the occasion, which afforded the utmost delight. Miss Foster (a lady of the first rate talents) played with Moschelles a duet on the pianoforte in a style of the utmost brilliancy, and the effect was striking almost beyond example. All the other performances, as well as vocal as instrumental, were also of the most excellent description, and afforded no less gratification to the splendid audience. 

The Standard (July 6, 1827): 4.

On Tuesday this Lady had a numerous and elegant assemblage at her house in Piccadilly. 

A grand musical treat was provided on the occasion, which afforded the utmost delight. Miss FOSTER (a Lady of the first rate talents) played with MOSCHELES a duet on the piano-forte in a style of the utmost brilliancy, and the effect was striking almost beyond example. All the other performances, as well vocal as instrumental, were also of the most excellent description. and afforded no less gratification to the splendid audience. They were as follow : —Part I.—Duo, Madame Caradori Allan and Signor Curioni (Medea)—Aria, Miss Bellchambers, “Oh cara memoria”—Concertante, pianoforte and harp, Messrs. Moscheles and Stockhausen—French Song, Signor De Begnis, “J’ai de l’argent”—Aria, Madame Stockhausen, “Lungi dal caro bene”—German March with variations, pianoforte, Miss FOSTER and Mr. Moscheles—Cavatina, Miss Childe, “All come rapida”—Concertante, pianoforte and violin, Messrs. Moscheles and Mori—“II Carnevale,” Madame Caradori Allan, Madame Stockhaysen, Misses Bellchambers and Childe, Signori Curioni, Begrez, and De Begnis. Part II.—Aria, Madame Caradori Allan— Fantasia, Flute, Miss M’Cann— Duo, Signori Curioni and De Begnis, “All’ idea di quel metallo”—Aria, Signor Begrez—Variations, violin, Camillo Sivori—Duo, Miss Childe and Signor De Begnis, “Come frenar”—Duo, Madame Stockhausen and Signor De Begnis, “Io di tuto mi contento”—Fantasia, Flute, Miss M’Cann— Trio, Madame Caradoni Allan, Signori Curioni and De Begnis, “Quel sembiante.”

The Morning Post (July 6, 1827): 3.

MRS. ROTHSCHILD’S MUSIC PARTY. 

On Tuesday this Lady had a numerous and elegant assemblage at her house in Piccadilly. 

A grand musical treat was provided on the occasion, which afforded the utmost delight. Miss FOSTER (a Lady of the first rate talents) played with MOSCHELES a duet on the piano-forte in a style of the utmost brilliancy, and the effect was striking almost beyond example. All the other performances, as well vocal as instrumental, were also of the most excellent description. and afforded no less gratification to the splendid audience. They were as follow : — 

Part I.—Duo, Madame CARADORI ALLAN and Signor CURIONI (Medea)—Aria, Miss BELLCHAMBERS, “Oh cara memoria”—Concertante, Pianoforte and Harp, Messrs. MOSCHELES and STOCKHAUSEN—French Song, Signor DE BEGNIS, “J’ai de l’argent”—Aria, Madame STOCKHAUSEN, “Lungi dal caro bene”—German March with Variations, Pianoforte, Miss FOSTER and Mr. MOSCHELES—Cavatina, Miss CHILDE, “All come rapida”—Concertante, Pianoforte and Violin, Messrs. MOSCHELES and MORI—“II Carnevale,” Madame CARADORI ALLAN, Madame STOCKHAYSEN, Misses BELLCHAMBERS and CHILDE, Signori CURIONI, BEGREZ, and DE BEGNIS. 

Part II.—Aria, Madame CARADORI ALLAN— Fantasia, Flute, Miss M’CANN— Duo, Signori CURIONI and DE BEGNIS, “All’ idea di quel metallo”—Aria, Signor BEGREZ—Variations, Violin, CAMILLO SIVORI—Duo, Miss CHILDE and Signor DE BEGNIS. “Come frenar”—Duo, Madame STOCKHAUSEN and Signor DE BEGNIS, “Io di tuto mi contento”—Fantasia, Flute, Miss M’CANN— Trio, Madame CARADORI ALLAN, Signori CURIONI and DE BEGNIS, “Quel sembiante.”

The Morning Chronicle (July 7, 1827): 2.

On Tuesday Mrs. Rothschild had a numerous and elegant assemblage at her house in Piccadilly. A grand musical treat was provided on the occasion, which afforded the utmost delight. Miss Foster (a lady of the first rate talents) played with Moschelles a duet on the piano-forte in a style of the utmost brilliancy, and the effect was striking almost beyond example. All the other performances, as well as vocal as instrumental, were also of the most excellent description, and afforded no less gratification to the splendid audience. 

The Atlas (July 8, 1827): 6.

Mrs. Rothschild had a grand party, with first-rate music, on Tuesday evening, at her house in Piccadilly.