Frans Preumayr’s Morning Concert
London: Concert Room, King’s Theatre—Time: Morning, Half Past One o’Clock
Tickets: 10s. 6d.; Boxes available
Programme
Part I | ||
Overture | Weber | |
Aria | Miss Riviere | Mercadante |
Duet | Signors de Begnis, Santini | Rossini |
Concertino Militaire Bassoon | Mr. Preumayr | Cremont |
Duet | Mme Malibran-Garcia, Signor Lablache | Rossini |
Piano Fantasia | Mr. Moscheles | Moscheles |
Duet, ‘Non palpitar’ | Mme Stockhausen, Signor de Begnis | Mayer |
Quartet, [‘Canone’] | Mesdames Malibran-Garcia, Stockhausen, Signors Donzelli, Lablache; Conductor: Signor Michael Costa | Costa |
Violin Fantasia | Mr. Eliason | Eliason |
*Swiss Air | Mme Stockhausen; Harp: Mr. Stockhausen | |
Part II | ||
Variations | Mme Malibran-Garcia | Hummel |
Duet | Miss Riviere, Signor Santini | Mercadante |
Violoncello Fantasia on the motif of Rossini’s Guillaume Tell | Mr. Rousselot | Rousselot |
Terzetto, [‘Va da si via di quâ’] | Mme Stockhausen, Mr. Begrez, Signor Santini | Martini |
Concertante for Piano, Flute, Bassoon | Messrs. Cianchettini, Sedlatzek, Preumayr | Brod |
From Il pirata: Aria, [‘Tu vedrai la sventurata’] | Signor Donzelli | Bellini |
Guitar Concerto No.3: I. Allegro moderato with Orchestral Accompaniments (composed by Hummel) | Mr. Schulz | Giuliani & Hummel |
Aria | Mr. Begrez | Mozart |
Bassoon Piece, Recollections of Sweden | Mr. Preumayr | Preumayr |
Principal Vocalists: Miss Riviere, Mesdames Malibran-Garcia, Stockhausen; Mr. Begrez, Signors de Begnis, Donzelli, Lablache, Santini |
Principal Instrumentalists: Messrs. Eliason, Moscheles, Preumayr, Rousselot, Schulz, Stockhausen |
Leaders: Signor Paolo Spagnoletti (Part I), Mr. Nicolas Mori (Part II); Conductor: Mr. Pio Cianchettini |
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Advertisements
Playbill
GREAT ROOM, KING’S THEATRE.
UNDER THE IMMEDIATE PATRONAGE OF
His Royal Highness the DUKE of SUSSEX,
AND
THE COUNTESS OF BELFAST.
MR. F. PREUMARY’S
MORNING C ONCERT,
MONDAY, JULY the 19th, 1830.
PART I.
Leader………Mr. SPAGNOLETTI.
Overture………………………………………………………… | Weber. |
Aria, Miss RIVIERE (late of the Royal Academy of Music.) …. | Mercadante. |
Duo, Signor SANTINI and Signor DE BEGNIS………………. | Rossini. |
Concertino Militaire, Bassoon, Mr. PREUMAYR…………….. | Crémont. |
Duo, Madame MALIBRAN and Signor LABLACHE………… | Rossini. |
Fantasia, Grand Piano Forte, Mr. MOSCHELES……………… | Moscheles. |
Duo, Madame STOCKHAUSEN and Signor DE BEGNIS…… | Mayer. |
Quartetto, Mesdames MALIBRAN and STOCKHAUSEN, | |
Signor DONZELLI and Signor LABLACHE……………… | Costa. |
Fantasia, Violin, Mr. ELIASON……………………………….. | Eliason. |
In the course of the Concert Madame STOCKHAUSEN will sing a Swiss | |
Air, accompanied on the Harp by Mr. STOCKHAUSEN. |
PART II.
Leader………Mr. MORI.
Variations, Madame MALIBRAN……………………………… | Hummel. |
Duo, Miss RIVIERE and Signor SANTINI………………………………………………………… | Mercadante. |
Fantasia, sur les Motifs de Guillaume Tell, | |
Violoncello, Mr. ROUSSELOT……………………………… | Rousselot. |
Terzetto, Madame STOCKHAYSEN, Mr. BEGREZ, and | |
Signor de DE BEGNIS………………………………………. | Martini. |
Trio, Pianoforte, Flute, and Bassoon, | |
Messrs. CIANCHETTINI, SEDLATZEK, and PREUMAYR, | Brod. |
Aria, Signor DONZELLI……………….(Il Pirata)…………….. | Bellini. |
First Part of Guiliani’s Third Concerto, Guitar, Mr. I. Schulz; | |
the Orchestral Accompaniments written by Mr. Hummel. | |
Aria, Mr. BEGREZ……………………………………………… | Mozart. |
Recollections of Sweden, Bassoon, Mr. PREUMAYR…………. | Preumayr. |
Conductor, Mr. CIANCHETTINI.
[GB-Royal College of Music CH6Fc8]
The Morning Post (July 14, 1830): 3.
Mr. PREUMAYR will give a Concert on Monday morning, the 19lh, at the King’s Theatre. We regret he will take his leave of us on that day, it being the last time he will play in this country. All the principal vocal and instrumental performers, accompanied by a full band, will be the entertainment. The celebrated Trio of the Bassoon, Flute, and Piano, will be performed, by express desire, by Mr. PREUMAYR, SEDLATZEK, and CIANCHETTINI, which has been received with such unbounded applause at the Concerts of the two latter Gentlemen.
The Athenæum (July 17, 1830): 445.
Preumayr plays for the last time in this country on Monday, when he gives a farewell Concert at the Opera House.
The Morning Post (July 17, 1830): 1.
GREAT ROOM, KING’S THEATRE.—Under the immediate Patronage of His Royal Highness the DUKE of SUSSEX, and the COUNTESS of BELFAST.—Mr. F. PREUMAYR, Principal Bassoon of the King of Sweden and Norway, has the honour to announce to the Nobility, Gentry, and Public, that his MORNING CONCERT will take place in the above Room on MONDAY next, July 19, to commence at half-past One o’clock.
PART I.—Leader, Mr. Spagnoletti.—Overture, Weber; Aria, Miss Riviere (late of the Royal Academy of Music), (Mercadante); Duo, Signor Santini and Signor De Begnis (Rossini); Concertino Militaire Bassoon, Mr. Preumayr (Cremont); Duo, Madame Malibran and Signor Lablache (Rossini); Fantasia Grand Pianoforte, Mr. Moscheles (Moscheles); Duo, Madame Stockhausen and Signor De Begnis (Mayer); Quartetto, Madame Malibran, Stockhausen, Signor Donzelli, and Signor Lablache (Costa); Fantasia, Violin, Mr. Eliason (Eliason). In the course of the Concert Madame Stockhausen will sing a Swiss Air, accompanied on the Harp by M. Stockhausen.
PART II.—Leader, Mr. Mori.—Variations, Madame Malibran (Hummel); Duo, Miss Riviere and Signor Santini (Mercadante); Fantasia, Sur les Motifs de Guillaume Tell, Violoncello, Mr. Rousselot (Rousselot); Terzetto, Madame Stockhausen, Mr. Begrez, and Signor De Begnis, (Martini); Trio, Pianoforte, Flute, and Bassoon, Messrs. Cianchettini, Sedlatzek, and Preumayr, (Brod); Aria, Signor Donzelli (Il Pirata), (Bellini); First Part of Giuliani’s Third Concerto, Guitar, Mr. I. Schulz, the Orchestral Accompaniments written by Mr. Hummel; Aria, Mr. Begrez (Mozart); Recollections of Sweden, Bassoon, Mr. Preumayr, (Preumayr).—Conductor, Mr. Cianchettini.
The Band will be numerous and complete in every department.
Tickets, half-a-guinea each, to be had of Mr. Preumayr, 39, Brewer-street, Golden-square; at the Principal Music Shops; and at the Box Office of the King’s Theatre.—An early application for Boxes is requested to be made to Mr. Preumayr.
The Atlas (July 18, 1830): 480.
GREAT ROOM, KING’S THEATRE.—Under the immediate patronage of His Royal Highness the Duke of Sussex, and the Countess of Belfast.
Mr. F. PREUMAYR, Principal Bassoon of the King of Sweden and Norway, has the honour to announce to the Nobility, Gentry, and Public, that his MORNING CONCERT will take place in the above Room on Monday, the 19th of July 1830, to commence at half-past one o’clock.
PART I.
LEADER—Mr. Spagnoletti.
Overture…………………………………………………. | Weber |
Aria, Miss Riviere (late of the Royal Academy of Music)…. | Mercadante |
Duo, Signor Santini and Signor de Begnis………………….. | Rossini |
Concertino Militaire, Bassoon, Mr. Preumayr……………… | Crémont |
Duo, Madame Malibran and Signor Lablache……………… | Rossini |
Fantasia, Grand Pianoforte, Mr. Moscheles………………… | Moscheles |
Duo, Madame Stockhausen and Signor de Begnis………….. | Mayer |
Quartetto, Mesdames Malibran and Stockhausen, Signor | |
Donzelli and Signor Lablache…………………………… | Costa |
Fantasia, Violin, Mr. Eliason………………………………… | Eliason |
In the course of the Concert, Madame Stockhausen will sing a Swiss Air, accompanied on the Harp by M. Stockhausen.
PART II.
LEADER—Mr. Mori.
Variations, Madame Malibran………………………………. | Hummel |
Duo, Miss Riviere and Signor Santini………………………. | Mercadante |
Fantasia, sur les Motifs de Guillaume Tell, Violoncello, Mr. | |
Rousselot………………………………………………… | Rousselot |
Terzetto, Madame Stockhausen, Mr. Begrez, and Signor de | |
Begnis……………………………………………………. | Martini |
Trio, Pianoforte, Flute, and Bassoon, Messrs. Cianchettini, | |
Sedlatzek, and Preumayr………………………………… | Brod |
Aria, Signor Donzelli (Il Pirata) ……………………………. | Bellini |
First Part of Guiliani’s third Concerto, Guitar, Mr. I. Schulz; | |
the Orchestral Accompaniments written by Mr. Hummel | |
Aria, Mr. Begrez…………………………………………….. | Mozart |
Recollections of Sweden, Mr. Preumayr……………………. | Preumayr |
CONDUCTOR—Mr. Cianchettini.
The band will be numerous and commete [sic] in every department.
Tickets, Half-a-Guinea each, to be had of Mr. Preumayr, No. 31, Brewer-street, Golden-square; at the principal Music-shops; and at the Box Office of the King’s Theatre.
An early application for Boxes is requested to be made to Mr. Preumary [sic].
Reviews
The Morning Post (July 20, 1830): 3.
PREUMAYR’S CONCERT.
The Concert of this extraordinary performer on the Bassoon (Fagotto) yesterday morning was numerously attended. The Vocal portion of it was extremely well sustained by Madames MALIBRAN, STOCKHAUSEN, Miss RIVIERE, DONZELLI, BEGREZ, SANTINI, LABLACHE, and DE BEGNIS. MOSCHELES executed a Fantasia on the pianoforte beautifully; a solo on the Violin by ELIASON, and on the Violoncello by BOUSELOT, also a trio by SEDLATZEK, PREUMAYR, and CIANCHETTINI on the flute, bassoon, and pianoforte, were well performed. Young SCHULZ is an excellent guitar player.
PREUMAYR is the best performer on the bassoon that we ever heard, taking tone, taste, and execution into consideration he makes nothing of a rapid flight from the lowest B flat in the bass to E flat, fourth space in the treble, three octaves and a bass to E flat, fourth space in the treble, three octaves and a half! In his Concertino Militaire yesterday, he displayed great skill and command of his instrument, by modulating into various keys in a very masterly manner; a few bars in D flat, and its relative minor, were exquisitely performed. SPAGNOLETTI and MORI led a select band, and CIANCHITTINI conducted.
The Harmonicon, vol. 8 (August 1830): 353.
M. PREUMAYR’S,
Same Room, Monday Morning, July 19th.This was to have taken place on the 30th of June, but, on account of his Majesty’s decease, was postponed. M. Preumayr repeated here the Concertino Militaire, which pleased so much at a Philharmonic Concert, and now again obtained the greatest and most merited applause. He also took a principal part in a trio for piano-forte, flute, and bassoon, by Brod; and himself finished the concert with “Recollections of Sweden,” in which he introduced several airs of that country in a very clever manner. . This opportunity of again hearing M. Preumayr confirms the opinion we formed at his first performance: his tone is excellent, his execution perfect, and his judgment that of a good musician.